网络购物顾客忠诚度调查问卷.doc

Studies in International Performance
Published in association with the International Federation of Theatre Research
General Editors: Janelle Reinelt and Brian Singleton
Culture and performance cross borders constantly, and not just the borders that
define nations. In this new series, scholars of performance produce interac-
tions between and among nations and cultures as well as genres, identities and
imaginations.
Inter-national in the largest sense, the books collected in the Studies in International
Performance series display a range of historical, theoretical and critical approaches
to the panoply of performances that make up the global surround. The series
embraces ‘Culture’ which is institutional as well as improvised, underground or
alternate, and treats ‘Performance’ as either intercultural or transnational as well
as intracultural within nations.
Titles include:
Patrick Anderson and Jisha Menon (editors)
VIOLENCE PERFORMED
Local Roots and Global Routes of Conflict
Elaine Aston and Sue-Ellen Case
STAGING INTERNATIONAL FEMINISMS
Christopher Balme
PACIFIC PERFORMANCES
Theatricality and Cross-Cultural Encounter in the South Seas
Susan Leigh Foster
WORLDING DANCE
Helen Gilbert and Jacqueline Lo
PERFORMANCE AND COSMOPOLITICS
Cross-Cultural Transactions in Australasia
Helena Grehan
PERFORMANCE, ETHICS AND SPECTATORSHIP IN A GLOBAL AGE
Judith Hamera
MUNITIES
Performance, Difference, and Connection in the Global City
Silvija Jestrovic and Yana Meerzon (editors)
PERFORMANCE, EXILE AND ‘AMERICA’
Sonja Arsham Kuftinec
THEATRE, FACILITATION, AND NATION FORMATION IN THE BALKANS AND
MIDDLE EAST
Alan Read
THEATRE, INTIMACY & ENGAGEMENT
The Last Human Venue
Joanne Tompkins
UNSETTLING SPACE
Contestations in Contemporary Australian Theatre
S. E. Wilmer
NATIONAL THEATRES IN A CHANGING EUROPE
ing titles:
Adrian Kear
THEATRE AND EVENT
Studies in International Performance
Series Standing Order ISBN 978–1–4039–4456–6 (hardback) 978–