Abstract:Daoqian was the most famous honorific title for a created poems in the Northern Song was in close contact with a lot of writers,such as SuShi,QinGuan and ZhangLei,and was greatly influenced by poetical works were in a elegant style,which manifested hiS appreciatlong of the beautiful as a mork,that had been carried on from the morks,who wrote poems during the late Tang also,these poet ical works showed
his iilterest as a ordinary work showed the style and features of the mork’S poetical works during it’S period of great
prosperi ty.
ThiS dissertation makes paratively systematiC study of the mork thesiS fallS into three major frist chapter summarizes the hiStory of mork who created poems,and different peculjarities of their potical works in every the basic of several historical materials,the second chapter makes a textual critici sm of DaoQian’S the circle of his has
basically makes the historical background that he wrote hiS poems clear The third chapter makes a specific analysiS of DaoOian’S poetical the range of subjects,the artistic style,parat ire research,the influence of OaoQian and the brief introduction of edition.
The dissertation is hope to be of help to study a important aspect
of the circle lf poets in the Northern Song period.
Key words:DaoQian the mork poet 1iterary idea
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作者签名: 夏多、知
日 期: 幺!兰
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作者签名: 墨遮垒
日 期: 坌!f兰
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总 论
佛教自传入之初,便不可避免地与我国的传统文化相互碰撞、磨合以致最终融合无碍,实现佛教的中国化。在这一过程中,佛教与诗歌的相互渗透最为引人注目。如果说禅宗的出现和成熟是佛教中国化的具体表现,诗僧的出现以致发展壮大,便是佛教中国化的深层次体现。李泽厚说:“无论庄、易
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