豫剧豫东唐派唱腔艺术及其传承研究.pdf

新疆师范大学
硕士学位论文
豫剧豫东唐派唱腔艺术及其传承研究
姓名:秦银辉
申请学位级别:硕士
专业:音乐学
指导教师:付晓东
2009-06-07
中文摘要

豫剧是我国传统戏曲文化的重要组成部分,豫东唐派是豫剧个人流派的重
要一支。豫东唐派作为豫剧生行流派之一,对于豫剧豫东调男声唱腔的革新和
发展起到了重要的推动作用。在豫东及豫、鲁、苏、皖结合部地区影响广泛,
具有深厚的群众基础。该文在田野调查的基础上,对豫剧豫东唐派的形成与发
展进行了阐述,对唐派艺术的唱腔特点及其形成原因进行了探析,对唐派艺术
的几种传承方式进行了比较,对唐派艺术的传承和发展提出了自己的建议。
全文包括五个部分:
第一部分绪论在总结前人研究成果的基础上,提出了自己的研究视角和研
究方法。
第二部分介绍了唐派艺术产生的历史地理环境,对唐玉成的艺术生涯进行
了总结,阐述了唐派弟子对唐派艺术的发展并绘制了唐派族谱。
第三部分结合实例,对唐派演唱技法、唱腔特点及其形成原因进行了探析。
第四部分对唐派艺术几种传统的传承方式进行了对比,对唐派艺术在商丘
中小学的传承现状进行了分析。并对唐派艺术的传承和发展提出了自己的建议。
第五部分为结语。

关键词:豫剧;豫东唐派;唱腔特点;传承











I
Abstract
Henan Opera plays an very important part in Chinese traditional opera culture,
and East Henan Tang Opera is one major school in it. As one of major school of
Henan opera, East Henan Tang Opera played a very important role in promoting the
innovation and development of male voice singing art in Henan Opera. It has a solid
foundation of the masses both in the east of Henan Province and in the junction
region of Henan, Shandong, Jiangsu, Anhui Province. Based on field work, This
paper illustrates the formation and development of East Henan Tang Opera and
analyzes its singing characteristics and tries to find its forming reasons, and then
makes a parison between its different way of transmission and finally
proposes several possible suggestions for the transmission and development of East
Henan Tang Opera.
The paper is divided into five parts:
Part I is the introduction of the paper. It summarized the achievements of
previous studies, and based on them, proposed the writer’s own perspective and
research methods.
Part II introduces the historical and geographic background of East Henan Tang
Opera, and summarizes the artistic career of Tang Yucheng, the Father of East Henan
Tang Opera, and explains how his disciples develop the art and making it e so
influential.
Part III gives some examples to show the singing techniq