泰国与中国大众传播媒介中女性形象及后女性主义叙事解析.pdf

重庆大学
硕士学位论文
泰国与中国大众传播媒介中女性形象及后女性主义叙事解析
姓名:徐佩玲
申请学位级别:硕士
专业:传播学
指导教师:彭逸林
20060401
重庆大学硕士学位论文中文摘要
摘要
自从父权制成为人类社会基本结构形态以来,父权宗法制居于君临天下的统
治地位,在漫长的历史文明进程中造就了以男性话语为中心的文化形态。男性视
角、观点、声音成为主导性的文化形态,而女性视角、观点、声音被排斥、忽略,
不得不成为边缘化的文化形态。20 世纪90年代,西方“后现代主义”的潮流进入东
方国家如中国与泰国,它其中之一的特征就是重视“边缘”的话语包括女性形象。因
此社会越来越看重女性在经济、政治、国际等各种领域扮演的角色,尤其是大众
传媒——它作为现代社会的重要标志,体现出女性形象变化的多元景观。同时,
发展中国家如泰国和中国的大众传媒,在传播和塑造女性形象时仍存在破坏妇女
形象、歧视女性的现象。
本论文通过论述后女性主义的理论,探索“女性”的定义和女性形象的再定位。
尽力阐释父权制下的泰中女性形象。继而,研究两国女性在社会受到后现代思潮
的影响,深刻分析当代大众传媒传播媒介中的中泰女性相关的现象如中国的“超级
女声”、泰国的“安查丽”歌手狂热症等,促进社会对女性的关注和对女性形象变化
的理解。
关键词:父权制,男性话语,后现代主义,边缘,女性形象,消费社会,后女性,
歧视
I
重庆大学硕士学位论文 ABSTRACT
ABSTRACT
After the male-dominated system has accepted to be the main structure
of human society, the rules of mornarchy covers everywhere and also established
masculine discourse as the center of human civilization for a long time period. The
man’sviewpoint and opinion are accepted as the main power of culture, but feminine
viewpoint and opinion are excluded, denied and neglected, this es the
marginalize culture of societ. In the end of 20th century, western “post-modernism”
concept spreads through eastern countries like China and Thailand, the discourse of
“marginalization”like feminine image also attracted the people attention . Human
society pays more attention into the roles of feminine in all of fields such as
economic, politic, or international relationship ,etc. especially the changing image of
woman in the field of mass media. In the same time, the mass media of developing
countries like China and Thailand have still expressed the discrimination of
female groups and damaged their good images.
Post feminists theories are employed in this paper for finding the new definition
and status of “feminity”.Moreover, it reviews Chinese and Thai feminine images
in the male- dominated context society of both countries and the influence of
postmodern trend that affects in feminine expression. The paper also