试论朱谦之文化形态学.pdf

硕士学位论文论文题目试论朱谦之的文化形态学研究生姓名毛晓英指导教师姓名吴忠伟教授专业名称中国哲学研究方向文化哲学论文提交日期 2014 年 4 月 10 日朱谦之的文化形态学中文摘要中文摘要面对中国文化在近代遭遇的危机,在对斯宾格勒与汤因比文化形态学批判地吸收基础上,朱谦之建立了自身的文化形态学体系,从而在理论上处理了中国文化命运及其未来形态的问题。本文将朱谦之的文化形态学分为“己他关系”和“文化与文明”两个部分进行研究: 首先,就“己他关系”而言,朱谦之在运用斯宾格勒“观相”法之整体“俯瞰”和同源“类比”过程中,综合改造了黑格尔的“三段论”和孔德的“三阶段法则”,形成了他的“文化四形态”,将文化分为宗教、哲学、科学、艺术四种形态,其中除了艺术作为世界文化的综合协调之外,其余三种文化形态分别对应印度(宗教)、中国(哲学)、西方(科学)。此三种文化形态在各自纵向文化发展过程中,经过“己文化”与“他文化”的独立、传播、渐趋融合,最后殊途同归地趋向艺术文化时期,而此时的艺术文化则包容了前三种文化形态,由此达到文化的“和而不同”。其次,朱谦之运用文化形态学的方法,对文化与文明及其关系进行层层剖析, 论证了中国文化不但现在没有“僵死”,而且将来也不会灭绝,中国文化具有绵延的文化时间和广阔的文化空间。他认为,“古而不亡,老而不死”的中国文化终将复兴,并且,在经历科学文明的洗礼后更会迸发出非凡的创造性,再次绽放出灿烂辉煌的生命力。朱谦之文化形态学指向的是中国文化形态的自我更新,他以为中国文化通过自觉、主动地融摄西方文明而可向一更高形态发展。关键词: 朱谦之文化形态学己他关系文化与文明作 者: 毛晓英指导教师: 吴忠伟教授英文摘要朱谦之的文化形态学 On Zhu Qianzhi's cultural morphology Abstract Based on the Spengler's cultural morphol ogy ,Zhu Qianzhi put forward his unique cultural morphology, so that he can deal with the issue of the future of Chinese thesis is divided into two parts: "relationship between self and others" and "culture and civilization". Firstly, we may introduce "relationshi p between self and others", though Zhu Qianzhi introduced the spengler's "phase" method of "view" as a whole and the homologous "analogy", he tran sformed Hegel's "syllogism" te's "three laws" comprehensively ,finally forming his "form of four culture" and divi ded the culture into the four kinds of form religion, philosophy, sc ience and art, apart from the coordination prehensive of art to the world culture, the other three kinds of cultural forms corresponded to India (religion), China (phi losophy) and the West (science). In the process of their longitudinal culture development, through the independence, communication, integration gradually of the "O neself culture" and "O thers culture", the three kinds of culture finally convergeing towards art culture period, when the art culture is inclusive of the former three kinds of cultural forms, thus achieve "harmo