大唐风采——试论唐代工笔仕女画.pdf

摘要中国的仕女画历史悠久,有鲜明的民族风格与独特的表现形式。唐代美术不但是中国封建时期美术的高峰,也是当时世界美术的高峰,这一时期画家辈出,以张萱、周防为代表的绮罗人物画成为当时仕女画的主流。唐代工笔仕女画的艺术特征包含其初唐的清秀和盛晚唐的丰腴,引导了社会的潮流。唐代工笔仕女画给人的强烈视觉印象就是人物组合的整体气势,以恰当的形式,表达了作品特定的意蕴, 充分体现了民族绘画艺术的特点。在形式形象设计、法则运用与技巧等方面都达到了较高的水平。唐代的工笔仕女画能够集时代之美和自身之美、理想之美于一身,给中国和世界留下“大唐丽人”的靓影, 与当时的儒家思想观念、女性的生活方式、社会收藏风气等都是密不可分的,对海外的绘画及中国后世各代产生了深远的影响。唐代工笔仕女画在历史上之所以光辉灿烂,最重要的一点是它具体地反映了唐代的现实生活,取得现实主义的重要成就。唐代工笔仕女画在中国绘画史上只占了很小的角色,但它却最鲜明的体现了时代的审美观念。研究唐代仕女画对弄清唐代美学思想演变具有很好的价值。关键词:唐代工笔仕女画特点原因影响 Abstract China has along history oftheladiespainting,a distinctive national style and unique Dynasty artis not only the art ofChina’Sfeudalperiod ofthepeak is atthepeak ofworld art,the e forth inlarge numbers during thisperiod,Xuan Zhang,Zhou Fang Yi Luo represented by a figure painting was painted ladies of the ladies the artofpainting features include itsEarly Tang Dynasty and theQing Feng Yu—sheng of thelateTang Dynasty,and guide ladiespainting gives thestrong visualimpression that theoverall stature figureportfolio,in an appropriateform,and expressed theMeaning ofspecific works fully reflectthenationalcharacteristicsof the the form ofimage design rulesand techniques in use have reached Dynasty—era ladypaintings tothe United Statesand thebeauty oftheirown,inan idealof theUnited States, China and theworld totheleft¨Datang Beauty”Liang Ying,and then Confucianthinking,the way oflifeofwomen,social atmosphere,and SO collections are inextricably linked,overseas Chinese painting and later generations have had afar-reaching ladiesinthehistory of painting isbrilliant,the most important point isthatitspecifically to reflect therealitiesoflifeoftheTang Dynasty,the reality oftheimportant ladies inthehistory ofChinese painting only asmall role,but it reflects themost distinctive aesthetic concept ofthetimes. Tang ladies painted on theclearideological evolution of the Tang Dynasty aestheticsgood value.