田汉早期戏剧思想研究.pdf

摘要田汉是中国现代话剧事业的开创者和奠基者之一。他的早期戏剧思想具有深刻而复杂的文化内涵,其中即包括田汉自身的艺术审美旨趣, 吸收和转化。本文从田汉早期的戏剧创作入手, 以及文化内涵。又包含了田汉对传统文化的继承与外米文化的系统梳理田汉早期戏剧思想的内容、形成原因本文除引言和结语外,主要从三个部分研究田汉早期戏剧思想。第一部分:重点剖析田汉早期戏剧思想的主要内容与文化内涵。通过梳理田汉早期戏剧思想对浪漫主义创作手法的吸收与借鉴,对“艺术至上”的审美追求,揭示田汉早期“艺术美化人生”的戏剧思想的本质特征。从田汉早期戏剧思想的主要内容出发,分析“艺术美化人生”的戏剧思想所反映出的文化接受心理。第二部分:重点分析田汉早期戏剧思想的形成要素。首先,从田汉自身性格特征入手,分析其艺术倾向;其次,从田汉成长环境的文化氛围切入,考察我国传统文化对田汉早期戏剧思想的影响;最后,从田汉六年的留学经历和文化活动入手,分析影响田汉早期戏剧思想的域外因素。第三部分:通过对田汉早期戏剧创作实践分析,考察田汉早期戏剧思想与创作实践之间的互动关系,探讨田汉戏剧创作的美学价值。关键词田汉,戏剧思想,湖湘文化,域外因素 A study on Tian Han’S early drama thought Cao Yuan (Modern and contemporary Chinese literaturemajor) Directed by ZhaoMing Abstract Tian Han was one oftheinaugurators and founders ofChinese modern universally accepted thathisdrams which create inthe 920’S are defined as theearly work thought ofdrama had deep plicated cultural Han has the artpurport of himself including theinheritance ofthetraditional culture with theabsorption and theconversion of foreign paper aims to start from Tian han’Searly theatrical creation bing the early drama creatingthought,reason and culturalconnotations. The thesismainly dividedforming into threeparts besides oftheintroduction and condasion. The firstpart focus on profiling themain content and thecultural connotation of theearly drama thought ofTian thispart,the thesis uncovers the essence ofTianHan’S“art tobeautify earlydrama thinking bing hisabsorption ofRomantic creativeapproach and theaesthetic pursuit ofthe“art first”.Itanalyzes thathiscultural receiving psychological ofthedrama thinking started from themaincontentofTianI-Ian’Searlydrama thinking. The second part willanalyze theforming factors ofTianHan’S earlydrama of analyzes thecharacters ofTianHan fmding then,to investigate the impact oftraditional culture onTianI-Ian’s earlydrama thinking byinvestigating hisgrowing culture. At last,it sorts out theextraterritorial factors ofTianHan