试论古代园林中的琴与琴境.pdf

园林文化 或清风明月夜 均以园林风景中为最
听琴的环境也以园林为佳。园林听琴分为，听有形之琴和听 named after lyre. The garden environment for lyre-playing is better than ，
无形之琴。无形之琴，也就是意会之琴，是听自然之音入耳 other places. Listening to the sound of lyre in gardens can be divided 佳，这也是士大夫文人均喜筑琴台、
into two parts: one is listening to the sound of tangible lyre and the
后以琴声比拟。琴在园林中有身份定位、娱情忘忧、清音造 琴亭和琴室于园中的缘由”[10]242。
境的功能，隐喻了一种雅文化，暗合了中国古人的审美理想 other is listening to the sound of invisible lyre. The invisible lyre means
that there is no lyre in fact, but it seems to hear the sound of lyre while
和生活方式。园林中营造的虚实琴境，散发出的艺术氛围，
listening to the sound of nature. Lyre has the voice of showing social
是一种特有的雅赏的审美体验。
identity and entertainment, forgetting sadness and creating a special 2 园林听琴