唐代仕女画中女性时尚探究.pdf

重庆大学
硕士学位论文
唐代仕女画中女性时尚研究
姓名:罗玲
申请学位级别:硕士
专业:美术学
指导教师:吴应骑
2010-04
重庆大学硕士学位论文中文摘要

摘要

唐代是中国传统仕女画的黄金时期。仕女人物画在唐代从山水画中的“点缀”放大
到画面主体,从道释神怪走向世俗生活,分离成一个独立的绘画门类。唐代仕女画从唐
代女性的时尚生活中汲取养分,塑造出丰腴华美的唐代女性形象,再现了唐代女性丰富
多彩的生活,折射出唐代女性自信的时尚观。唐代女性时尚和唐代仕女画水乳交融,产
生了一个仕女画繁荣璀璨的时代。唐以后的仕女画与女性时尚逐渐剥离,仕女画逐渐沦
为纯粹观赏把玩的画种,仕女画与女性时尚的亲缘关系被彻底遗忘了。论文完成的主要
工作是:1、简述了唐代仕女画的发展分期、代表作品、风格技法和历史地位。2、联系
传世的仕女画作品,从“丰腴美”、“时世妆”、艺术时尚和生活时尚四个方面,归纳出
唐代女性时尚的具体内容。3、提出了“女性美”是连接女性时尚和仕女画的桥梁,唐
代女性时尚推动仕女画发展的观点。4、根据唐以后仕女画的演变和与女性时尚分离的
情况,建议当代仕女画重新融入当代女性的时尚生活,同时也帮助当代女性认识自己的
历史形象,从中寻找有中国特色的女性时尚。

关键词:唐代,仕女画,女性时尚,女性美
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重庆大学硕士学位论文英文摘要

ABSTRACT

Tang Dynasty is a Golden Age of the traditional Chinese Painting of beautiful women.
Ladies figure painting in the Tang Dynasty from the “decoration” of landscapes zooms into
the main part of the painting. From the Taoist and Buddhist gods and ghosts into secular life,
it separates into a separate category of painting. The traditional Chinese Painting of beautiful
women draws nutrients out of the women's lifestyle, models plump and gaudiness female
images, re-creates the colorful life of women and reflects the concept of women's confident
viewpoint of fashion in the Tang Dynasty,. Women's fashion and the traditional Chinese
Painting of beautiful women are harmony in the Tang Dynasty, resulting in a brilliant era of
prosperity. Later, the traditional Chinese Painting of beautiful women and women’s fashion
gradually stripped away, their relationship pletely forgotten. The traditional Chinese
Painting of beautiful women gradually reduces to a purely ornamental category of painting.
The plete the tasks: 1. outlines the development of the traditional Chinese Painting
of beautiful women in the Tang Dynasty in phases, representative works, styles, techniques
and historical status. 2. Contacted with the works handed down for generations, from the
"plump," "the women’s fashion look," artistic fashion and fashion of lifestyle in