“秾丽丰肥”的唐代仕女画——唐代仕女画面部造型与技法研究.pdf

中文摘要唐代是中国历史上空前的版图广大、社会经济文化繁荣、中外文化交流活跃和各民族文化融合深入的时代。仕女画发展至唐代无论在内容题材和表现手法等方面均有较大的拓展和进步,成为工笔画史上最为辉煌的时期,在美术史上具有重要的地位。唐代的仕女画由于历史、政治、经济等因素的影响,形成了不同于以往任何时代特有的样式,即以张萱周防为代表的“裱丽丰肥",但不同时期又呈现出一定的差别,本文对唐代不同时期的仕女画面部造型和面部技法的比较和研究,总结发现其自身所具有的独特变化特点,挖掘其背后深层次的精神内涵。唐代仕女画是我们不断挖掘和学习的源泉和宝库,对我们今天工笔人物画创作仍然有着启发和指导作用。论文共分为六个部分: 第一部分,通过对“仕女画"概念的描述引出“唐代仕女画"的总体特点。第二部分,从“理论基础"、“民间画工影响"、“政治因素和时代背景’’三个方面阐述了唐代仕女画形成的原因及基础。第三部分,唐代不同时期的仕女画,其造型和技法有所不同,从早期、盛唐和中晚期三个时期分别对仕女画的不同造型和技法进行梳理比较,并分析这些变化产生的原因。第四部分,对后世产生的影响。第五部分,对邻国艺术产生深远影响。第六部分,唐代仕女画对当今的影响和启发。关键词:仕女画唐代裱丽丰肥造型样式技法 Abstract Tang Dynasty was an era inwhich the territorial area ofchina was unpt‘ecedented ,the social and economic culture was prospered,Chinese and foreign cultural exchanges was active,national culture ismerged deeply inChina’S bellepainting develop intotheTang Dynasty hadmade greater expansion and progress intheaspectsofcontent,Subject matterandtechnique theTang Dynasty e themost brilliantperiod inhistory ofChinese realisticpainting and plays important roles in thehistory offine arts. Because ofthe influence infactors such as history,politics,economy,etc,the bellepainting inTang Dynasty have formed the characterized design,different from the past, by Zhangxuan,Zhoufang’S bellepainting characterized by gorgeous andplump Dynasty—belle painting’S totalcharacteristic regarding fat therewere some littledifferences indifferent pare and study the model,skill and technique offace’Spainting inorder to conclude and find the unique feature ofTang Dynasty—bele paintingandget thefigures’ was source and treasure—house that we were excavating and studying constantly belle painting inTang are inspire and guidance functions totoday’S Chinese realisticfigure thesis isdivided into six parts altogether: Partone:through analyzing the concept of“belle painting”,the author istrying todescfipt the overall c