吴镇《渔父图》沪本研究.docx

中国美术学院一一中国画系一一迪米一一吴镇《渔父图》(沪本)研究 Abstract
This paper is a study regarding the scroll”Fisherman(after Jing Hao)”(of the Shanghai Museum collection)by the Yuan Dynasty painter Wu Zhen.
Beginning with a detailed analysis of the seals and colophons presented on the painted scroll itself,along with researched background information and recorded bibliographic elements,the author aims to achieve a plete understanding of
the painting”Fisherman(after Jing Hao)”and through it illuminate a clearer historical and artistic perspective regarding the recluse life of Wu addition,this paper will also use parative study between Wu Zhen’S”Fisherman fafter Jing Hao)”
along with the artist’S other works in painting and calligraphy in order to asses an appropriate date of his”Fisherman fafter Jing Hao)” this process the seals and colophons in connection to the painted scroll over the course of its history will also paratively discussed and utilized.
The second part of this study will focus on the hermetic life of Wu Zhen in connection to his an analysis of the connection between Wu Zhen’S way of living and his paintings this paper will summarize with parative
discussion on the connection between Wu Zhen and Jing Hao and Wu Zhen’S collection of paintings.
Key words:Wu Zhen,Fisherman(after Jing Hao),Hermit
万方数据
中国美术学院一一中国画系一一迪米一一吴镇《渔父图》(沪本)研究
目 录
i;I言 .1
第一章吴镇《渔父图》(沪本)的诗书画三绝 .2
一、《渔父图》(沪本)中诗词的渔隐主题 .2
二、《渔父图》(沪本)的书法与吴镇其他画作书法比较 。S
三、《渔父图》(沪本)与吴镇其他画作比较 .S 四、《渔父图》(沪本)的流传与收藏 8
第二章《渔父图》(沪本)与其他相关问题 17
一、从《渔父图》(沪本)所见吴镇渔隐的生活 17 二、《渔父图》(沪本)与荆浩 。19
三、吴镇的收藏 .20
结{吾 .22
附录一图例 23
附录二印章 67
参考文献 74
致谢 。76
万方数据
中国美术学院一一中国画系一一迪米一一吴镇《渔父图》(沪本)研究
引言
吴镇(1280-1354),字仲圭,号梅花道人、梅沙弥、梅花庵主,嘉兴人,元四家之‘。
清·唐岱《绘事发微·品质》:古今画家,无论轩冕岩穴,其人之品质,必高昔。李思训为唐宗室,武后朝遂解组邂隐,以笔墨自适。卢鸿,一征为谏议大夫,不受,隐嵩山,作草堂图。宋李成,游艺不仕。元吴仲圭,不入城市,诛茅为梅花庵,画渔父图,作渔父词,自名烟波钓叟。倪云林造清秘阁,独居,每写溪山自怡。黄子久日断炊,犹袒腹豆萌下,悠然自适,常画虞山。此皆志节高迈放达不羁之士。
吴镇的“品质”自古以来受到文人的推崇,其人品画品从古至今都是一个值得研究的主题。现今对吴镇的诸多研究,大都也关于吴镇的人和画。因吴镇的传世资料不多,所以对吴镇的研究主