翻译美学视角下《天净沙·秋思》的两个英译本比较研究
摘要:马致远的《天净沙·秋思》是元朝散曲中的杰作,脍炙人口,广为流传,受深文学翻译者的青睐,已有很多不同的英译本。而许渊冲和翁显良是中国古典诗歌英译的两位大家,许渊冲是韵体翻译的代表人物,他提出“以诗译诗”的方法,讲求“三美”标准:音美、形美、意美。而翁显良则偏向用“以散文体译诗”的方法,要求摆脱原文韵律、形式的枷锁,强调忠实于原文意义。文章采用文本细读的方法着重从翻译美学的角度去分析比较他们的《天净沙·秋思》英译本,以此来探讨哪种译文更好,哪种翻译策略更加适合中国古典诗歌的翻译。
关键词:《天净沙·秋思》,翻译美学,比较研究
Abstract: Autumn Thought of Ma Zhi yuan is a classic short lyric poem in Yuan Dynasty and enjoys great popularity. , by the deep literary translation of all ages, there are many different English versions. And Xu Yuanchong and Wengxian Liang is Classical Chinese Poetry of two people, Xu Yuanchong is verse translation of representatives, he suggests that "poetry Translated" approach, emphasis on "Three Beauties" Standard: Sound and Form United States, meaning the United States . The Wengxian Liang is biased by the "Translated prose" method, requires to get rid of the original rhythm, form chains, emphasize faithful to the original meaning. Article focuses on the use of text reading from the perspective of translation methods to parative aesthetics of their "Tian Jing Sha • Autumn Thoughts" English translation, in order to explore what better translation, which translation strategies more suited to classical Chinese poetry translation.
Keywords: Autumn Thought, translation aesthetics, comparative study
作为元代散曲的杰出代表,马致远的《天净沙·秋思》以其凝炼的手法,凄凉的情调,诗意般的图景,烘托出天涯游子漂泊异地的思乡之情!文章以物喻人,情景交融,一直为人所称
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