六朝画论批评方式研究.pdf

河北大学
硕士学位论文
六朝画论批评方式研究
姓名:刘晓辉
申请学位级别:硕士
专业:艺术学
指导教师:刘宗超
2011-05




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Abstract
Abstract
The period of Six Dynasties witnessed the awakening of humanism and arts, and the
boom of painting, along with the development of Metaphysics and ment on
Characters promoted the advancement of theories of painting criticism. The appearance of
“spirit- giving theory”“vivid flavor”“six principles” did not only represent the unique mode
of painting criticism during the Six Dynasties, but also established the theoretical
orientation and the critical spirit.
The critical concepts of “spirit skeleton and flavor” during the Six Dynasties was
initially used in philosophy. However, under the influence of Metaphysics and ment
on Characters during the Wei and Jin Dynasties, those concepts evolved into the category of
painting criticism a nd their meanings became more and more abundant and consummate
with the development of painting production.
The critical category of “spirit skeleton and flavor” es from the critical
modes of appreciation, imagination, and classification. The critical category and the critical
mode are like the content and form of all things, which cannot be separated from each other.
The critical modes are based upon arts appreciation and focus on the intuition and
integrality of aesthetic experience, which ar e precious for their critical spirit.
From the critical category to the critica