接受美学视角下小说英译之研究.pdf

Acknowledgements
First and foremost, I would like to express my sincere gratitude to my supervisor, Prof.
Fang Huawen, whose keen instruction, inspiration and unwavering support have helped me
a lot during my three years’ study and especially in the course of finishing this thesis.
My sincere gratitude also goes to those professors who have shared with me their
wisdom and knowledge, including Professor Wang Rongpei, Professor Wang Hong,
Professor Du Zhengming, Professor Jin Huanrong, Professor Ding Wanjiang, Professor
Hong Qingfu and Professor Qian Zhengfu. These professors have taught me much
knowledge about translation and inspired me a lot.
Besides, I want to thank my friends and classmates for their selfless help and
encouragement.
Finally, I’d like to thank my beloved parents for their love and support.


i
摘 要
小说虽成熟时间较晚，但追根溯源却历史悠久。小说以其独特的文学创造形式受
到大众的追捧和推崇。小说翻译也日益成为人们讨论的话题。虽然已有一些学者尝试
从不同的视角如叙事学角度，文学修辞角度研究小说翻译，但这些远远不够。接受美
学，作为二十世纪六十年代新兴起的一种文学批评理论，为小说翻译研究和文学批评
提供了一个全新的视角。
以阐释学和现象学为理论基础，二十世纪六十年代中期以姚斯和伊瑟尔为代表的
联邦德国康斯坦茨学派提出了接受美学理论。接受美学认为读者在阅读文学作品之前
都有一定的期待视野，任何文学作品都充满未定性和空白性，读者阅读的过程实际就
是期待视野与文本不断交融的过程，也是运用想象填补空白，具体未定性的过程。这
样这部文学文本才称得上一部完整的文学作品。接受美学把文学研究的重点从文本中
心和作者中心转移到读者及其阅读活动上，无疑是美学发展史上的重要里程碑。
本篇论文首先介绍了小说的定义，回顾了小说翻译的国内外研究状况；然后介绍
了接受美学的兴起背景和主要观点，张爱玲的文学成就以及此次选择《金锁记》的研
究意义所在，为整个论文打下了良好的开端和基础；再次，本论文运用接受美学的主
要观点“期待视野”和“语义空白不确定性”研究《金锁记》的自译版本。最后一部
分则总结了接受美学在小说翻译中的借鉴和指导意义。


关键词：小说翻译，接受美学，《金锁记》,翻译策略


ii
ABSTRACT
Although being mature recently, the fiction has quite a long history. Boasting the
unique form, it is widely used and appreciated. Nowdays people pay much more attention
to the research on fictional translation from various aspects; however it is far from enough.
Reception Aesthetics, which arose in the 1960s,