诗歌意象管窥.pdf

摘要从诗歌的本体论出发,诗歌是一个独立自足的意象符号系统,而意象就是诗人主观情意与客观现实的复合体。沿着三个视角探究诗歌意象生成及接受心理特质:即由主观情绪体验孕育情感表象进而形成内视意象;由客观物象折射抽象之意而形成外视意象;由主客体贯通、主体客观化、客体情意化而形成内外意象交融。意象形成的这种主客体互存统一的机制,产生意象的形象感受性、隐喻多极性以及游移虚幻性等审美特征,从而使诗歌意象的接受与阐述具有特别广阔的心理空间。意象是一个具有主客观内涵的情感生命体,诗人对其有序化的并置与选择, 是使其在诗歌结构中的功能得以发挥、确认和规范的最终手段。本文对递进式、并列式、对比式、辐射式、辐辏式、辞断意连式、并置叠加式等组合方式逐‘分析,并指出这几种组合方式在诗歌创作中的往往是互置或并用的。把诗歌意象放在艺术符号系统中观照,其意义内涵的模糊性和不确定性、自我表现性和自在自足性、自身生成的随机性和衍生性、整体的系统性和非独立性等审美特性进一步明晰条理化;正是意象审美内涵的丰富性决定了意象功能的多维性与多层次性。诗歌意象具有描述性、拟情性、象征性(指意性)功能,三者的综合作用,强化了意象的表义性和建构力,体现了“再现与表现”相契合的艺术法则,为诗歌意象的创造与接受提供了可能。关键词:诗歌意象生成审美建构功能 Poetry isindependent self-satisfiedsystem ofimage sign when we see as its image right acomplexity contains thesubjective emotion of poet and theobjective reality. There are threeangels ofview from which we Call probe into thegeneration of poetic imagery and thespecialpsychological quality ofthem is the innermost image which developed from theemotional presentation conceived by thesubjective feelings andexperience;one ofthem isthe outward image which is generated from theabstractimplication reflectedbyobjective existence;the lastone isthemixture of insideimage and out one,which isgenerated from the link—up between subject andobject,from theobjectivesubject,from theemotional object. This unitary mechanism,developed by imagery,mutually existing between subject andobject,generates severalaestheticalfeatures,that is tosay,the appreciation of thefigure,themulti-pole quality ofmetaphor,the illusory quality this makes theappreciation and elaboration on poetic imagery haveparticularly vast psychological space. Image is an emotional lifethatcontainssubjective andobjective constitutionand selection inproper order made by thepoet totheimage the last measure thatdemonstrates andconfirms andstandardizes the function thesisanalyses thepatterns ofprogress,abreast,contrast,radiation,converge, dislocation,superposition&juxtaposition and points out that