腊尔山台地苗族文化生态保护研究.pdf

第页2护了当地的生态安全,并能推动当地社会经济的可持续发展,而不仅仅是局限于苗族非物质文化遗产本身得到妥善的保护。本文对腊尔山台地苗族文化生态的研究,意在转变过去单就一个少数民族村落、乡、县或州等行政区划展开保护的操作定式。强调区域性与民族性的相互统一,推动地理空间和文化空间的相互重合,把民族文化作为一个立体的网络去加以整体性保护。这样的保护思路除了适用于腊尔山台地外,对中国各民族的非物质文化遗产保护也具有一定普适性,或可供参考和借鉴。主题词:保护,腊尔山台地,苗族,文化生态ABSTRACT 第页3ABSTRACT Since the beginning of the 21st century when Kunqu Opera was confirmed to “MasterpiecesofOral and IntangibleHeritage of Humanity” by UNESCO, the rescue and conservation of cultural intangible heritage in China have surged up to a new peak and the relevant studies and achievements are appeal to the interest of the public. Recently with further research work on this respect, a great variety of protective methods e into being. On the whole, however, all these protective approaches mainly focus on the operation rather than the consistence of the connotation and quality of the intangible heritages. This paper sets a study of intangible heritage conservation from the cultural eco-perspective, trying to initiate an effective way under the property revelation of intangible heritage. The idea is that the culture and the natural and social environment are considered as an integrated and co-balanced body, which means that the intangible heritage protection should not only lie in the entity itself but be extended to certain background activities. The paper targets the study on Miao cultural eco-system conservation in the La’ershan Highlandsandillustrates the connotation of the local Miao’s cultural eco-system. It argues that the local Miao cultural eco-system is pound co-balanced between the Miao culture and natural and social background where the Miao culture is generated. The natural and ecological surroundings belong to nothing but the Miao’s survival environment and they are the base for the existence and variation of various intangible cultural heritage. In terms of implementation of intangible cultural heritage conservation, it is necessary to consider all the factors above instead of single-purposed protectio